{"id":19750,"date":"2026-02-26T10:58:34","date_gmt":"2026-02-26T09:58:34","guid":{"rendered":"https:\/\/rafaelcanizares.com\/?p=19750"},"modified":"2026-03-02T14:00:18","modified_gmt":"2026-03-02T13:00:18","slug":"paco-cepero","status":"publish","type":"post","link":"https:\/\/rafaelcanizares.com\/en\/paco-cepero\/","title":{"rendered":"Paco Cepero"},"content":{"rendered":"<section  class='av_textblock_section av-lwp4nacb-8b5a43c30a6e744fdaec6cd169984a1d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h1>Paco Cepero: Roots and Rhythm in Flamenco Art<\/h1>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1dcwhjb-539d316905a8f6d504a9465a7cd6185c\">\n.avia-image-container.av-1dcwhjb-539d316905a8f6d504a9465a7cd6185c img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-1dcwhjb-539d316905a8f6d504a9465a7cd6185c .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-1dcwhjb-539d316905a8f6d504a9465a7cd6185c av-styling- avia-align-left  avia-builder-el-1  el_after_av_textblock  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-13902 avia-img-lazy-loading-not-13902 avia_image ' src=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2025\/03\/logo-escuela-flashmenco.png\" alt='' title='logo-escuela-flashmenco'  height=\"71\" width=\"200\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2025\/03\/logo-escuela-flashmenco.png 200w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2025\/03\/logo-escuela-flashmenco-100x36.png 100w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jy5d92-0e57da277ba5e77935d67dd3106a453c\">\n#top .hr.av-jy5d92-0e57da277ba5e77935d67dd3106a453c{\nmargin-top:0;\nmargin-bottom:30px;\n}\n.hr.av-jy5d92-0e57da277ba5e77935d67dd3106a453c .hr-inner{\nwidth:100%;\nborder-color:#c3512f;\n}\n<\/style>\n<div  class='hr av-jy5d92-0e57da277ba5e77935d67dd3106a453c hr-custom  avia-builder-el-2  el_after_av_image  el_before_av_one_full  hr-center hr-icon-no'><span class='hr-inner inner-border-av-border-thin'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-j4530y-7ee64d90ad7cdb131843a7c4f684fef1 av_one_full  avia-builder-el-3  el_after_av_hr  el_before_av_hr  first flex_column_div  '     ><section  class='av_textblock_section av-mhab13dn-a30f893ada3550bcfceb1e5dc281e1cc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>A life in flamenco<\/h2>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-vo5frn-8310c82657249f9153dc7129307c5f4d\">\n#top .hr.hr-invisible.av-vo5frn-8310c82657249f9153dc7129307c5f4d{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-vo5frn-8310c82657249f9153dc7129307c5f4d hr-invisible  avia-builder-el-5  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-m06tsgbv-35ba50b0c254fe781963edb87db4a5d0\">\n.avia-image-container.av-m06tsgbv-35ba50b0c254fe781963edb87db4a5d0 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-m06tsgbv-35ba50b0c254fe781963edb87db4a5d0 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-m06tsgbv-35ba50b0c254fe781963edb87db4a5d0 av-styling- avia-align-center  avia-builder-el-6  el_after_av_hr  avia-builder-el-last '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-19755 avia-img-lazy-loading-not-19755 avia_image ' src=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-705x451.jpg\" alt='' title='paco cepero'  height=\"451\" width=\"705\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-705x451.jpg 705w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-300x192.jpg 300w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-1024x655.jpg 1024w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-768x491.jpg 768w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-100x64.jpg 100w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero.jpg 1314w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-wcbpja-31946f20ebbc44d9a23f1301f9a8c0cf\">\n#top .hr.hr-invisible.av-wcbpja-31946f20ebbc44d9a23f1301f9a8c0cf{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-wcbpja-31946f20ebbc44d9a23f1301f9a8c0cf hr-invisible  avia-builder-el-7  el_after_av_one_full  el_before_av_one_full '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-35jq1l-b9b121f6aab773ef9bc2da8945de964c av_one_full  avia-builder-el-8  el_after_av_hr  el_before_av_one_full  first flex_column_div  '     ><section  class='av_textblock_section av-mb5ch3vz-c65f9cd7c9a17118019f7217abf8554e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Paco Cepero<\/h2>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm3geevr-5105972e59243ea9d47467235b59b58d\">\n#top .hr.hr-invisible.av-mm3geevr-5105972e59243ea9d47467235b59b58d{\nheight:15px;\n}\n<\/style>\n<div  class='hr av-mm3geevr-5105972e59243ea9d47467235b59b58d hr-invisible  avia-builder-el-10  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-1r59j37-593cdcff8f4d5cc4fcc91ba1ecc3fc2d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: left;\">When it came to taking stock of his 60-year career, he said that <em>&#8220;I wouldn&#8217;t take anything away. It has been worth everything to me,&#8221;<\/em> even though the early days were not very pleasant.<!--more--><\/p>\n<p style=\"text-align: left;\"><strong><em>&#8220;Every year has been good<\/em>.&#8221;<\/strong><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-mm3aqvus-eabf1a14c136654cf80b2f3b10b37d03 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Paco Cepero (Francisco L\u00f3pez-Cepero Garc\u00eda) was born on March 6, 1942 in the neighborhood of San Miguel, in Jerez de la Frontera. He was not a guitarist who came to flamenco: he was born into it. His family was linked to flamenco singing &#8211; he was related to the cantaor Jos\u00e9 Cepero &#8211; and his father&#8217;s tabanco was his first conservatory.  <\/p>\n<p>In those spaces there was no written method, but there was a hierarchy: the cante was the authority and the guitar its architecture. This conception of guitar playing as support and structure would accompany him all his life. From an early age he was fascinated by the guitarists who passed through the family tabanco, where artists and amateurs gathered. At the age of six or seven he had already awakened his definitive vocation.   <\/p>\n<p>His great uncle, a great cantaor of personal fandangos, warned him: &#8220;son, don&#8217;t dedicate yourself to this as a profession&#8221;. But his destiny was sealed. <\/p>\n<p>He trained with the Jerez master <strong>Javier Molina<\/strong>, heir to the classical Andalusian school, and with <strong>Rafael del \u00c1guila<\/strong> -known as Rafael el Gallo-, from whom he learned to &#8220;feel the guitar in his stomach&#8221;. From this double influence his stamp is born: harmonic clarity, technical cleanliness and an exact placement of the chord. He was not a revolutionary of virtuosity, but a builder of structure, with a brilliant Jerez comp\u00e1s and an ability to solve musical labyrinths without excess or artifice.  <\/p>\n<p>He made his professional debut in 1958, when he was only 16 years old, at the Gran Teatro Falla in Cadiz. It was not a youthful anecdote, but the real beginning of a career that has known no interruptions. In those early years he participated in local festivals, charity performances and tours around the province of Cadiz, accompanying artists such as La Paquera de Jerez.  <\/p>\n<p>His style, deeply marked by the family tradition and the teaching of his teachers, already showed a pure flamenco, of contained but intense energy, in which the guitar could assume a leading role on stage without ever invading the singing space.<\/p>\n<\/div><\/section><\/p><\/div>\n<div  class='flex_column av-17nds5h-17f3c3969944d879b5dea31e09ddaab9 av_one_full  avia-builder-el-13  el_after_av_one_full  el_before_av_hr  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-mm3arlsf-d9059513c8527abdec89f498b1331a64 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Madrid: consolidation and artistic maturity<\/h2>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-sfc9t1-f4d475ccf8386fda063964c519660e60\">\n#top .hr.hr-invisible.av-sfc9t1-f4d475ccf8386fda063964c519660e60{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-sfc9t1-f4d475ccf8386fda063964c519660e60 hr-invisible  avia-builder-el-15  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm3asmr3-e296966640d4b799725d4f40e6996cb4\">\n.avia-image-container.av-mm3asmr3-e296966640d4b799725d4f40e6996cb4 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mm3asmr3-e296966640d4b799725d4f40e6996cb4 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mm3asmr3-e296966640d4b799725d4f40e6996cb4 av-styling- avia-align-center  avia-builder-el-16  el_after_av_hr  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-19757 avia-img-lazy-loading-not-19757 avia_image ' src=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/madrid-cepero.jpg\" alt='' title='madrid cepero'  height=\"312\" width=\"691\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/madrid-cepero.jpg 691w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/madrid-cepero-300x135.jpg 300w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/madrid-cepero-100x45.jpg 100w\" sizes=\"(max-width: 691px) 100vw, 691px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-otsc92-636836e6a7ded2394c9acf19262e1d91\">\n#top .hr.hr-invisible.av-otsc92-636836e6a7ded2394c9acf19262e1d91{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-otsc92-636836e6a7ded2394c9acf19262e1d91 hr-invisible  avia-builder-el-17  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-mm3at0w3-2f35a2bc471d994447c308388d9f0a3a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>In 1963 he settled permanently in Madrid and joined the cast of the tablao Los Canasteros, owned by Manolo Caracol, one of the nerve centers of flamenco in the capital. There, flamenco singers, dancers and guitarists coincided in the midst of the effervescence of the sixties, at a time when the tablao was a school, a showcase and an artistic battlefield at the same time. <\/p>\n<p>Cepero would remain more than thirty-five years in Madrid, establishing himself as one of the most sought-after accompanists on the flamenco scene. From there he toured Europe, America and Asia on international tours, when flamenco was beginning to establish itself as a global spectacle, alternating performances in tablaos, halls and festivals, and also developing his facet as a concert guitarist from the seventies onwards. <\/p>\n<p>His playing began to be identified by an essential quality: security. He does not lose the meter, he does not invade the cantaor&#8217;s space, he does not exaggerate the musical gesture. In Madrid he finished forging an artistic maturity that, without abandoning the Jerez roots, incorporated with naturalness certain Arab and Latin American sonorities in chords and ornaments. As he himself has recognized, &#8220;I have studied many years of my life in the tablaos, that&#8217;s where&#8221;, a phrase that sums up better than any other the true laboratory of his training.<\/p>\n<\/div><\/section><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-rle287-a182382e250575c7553480c22d70785d\">\n#top .hr.hr-invisible.av-rle287-a182382e250575c7553480c22d70785d{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-rle287-a182382e250575c7553480c22d70785d hr-invisible  avia-builder-el-19  el_after_av_one_full  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-myg47b-490496144bf4dd569f6016bdabfeb803 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>The guitarist of the cante grande<\/h2>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-20o9ith-a30aecfe2e12d808a0e7d7e614927583\">\n#top .hr.hr-invisible.av-20o9ith-a30aecfe2e12d808a0e7d7e614927583{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-20o9ith-a30aecfe2e12d808a0e7d7e614927583 hr-invisible  avia-builder-el-21  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mkznv5fq-1f06410cc3166d82c8bd29a4c3ec81c0\">\n.avia-image-container.av-mkznv5fq-1f06410cc3166d82c8bd29a4c3ec81c0 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mkznv5fq-1f06410cc3166d82c8bd29a4c3ec81c0 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mkznv5fq-1f06410cc3166d82c8bd29a4c3ec81c0 av-styling- avia-align-center  avia-builder-el-22  el_after_av_hr  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-19760 avia-img-lazy-loading-not-19760 avia_image ' src=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/cepero-lucia-705x279.jpg\" alt='' title='cepero-lucia'  height=\"279\" width=\"705\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/cepero-lucia-705x279.jpg 705w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/cepero-lucia-300x119.jpg 300w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/cepero-lucia-1024x406.jpg 1024w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/cepero-lucia-768x304.jpg 768w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/cepero-lucia-100x40.jpg 100w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/cepero-lucia.jpg 1272w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-m7lrtumq-cb7539f826f327145e27c4ef9b4dd559 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">Paco Cepero and Paco de Luc\u00eda, on tour in Germany. Rancapino and Paco Cepero. <\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1r28e11-df4a07f7d250be3c446fd2c430dc8dcd\">\n#top .hr.hr-invisible.av-1r28e11-df4a07f7d250be3c446fd2c430dc8dcd{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-1r28e11-df4a07f7d250be3c446fd2c430dc8dcd hr-invisible  avia-builder-el-24  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-nvbcn9-4b70782cf2bca91c36f2f72987d84ff1 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>He accompanied some of the most important flamenco artists of the 20th century: Camar\u00f3n de la Isla -the first to play professionally-,<strong> El Lebrijano, T\u00edo Borrico, Rancapino, Pansequito, Juanito Villar, Jos\u00e9 el de la Tomasa, Chiquetete, Santiago Donday, La Marelu, El Terremoto, La Perla de C\u00e1diz and Manolo Caracol himself.<\/strong> With El Lebrijano he participated in recitals with Arab music groups, broadening horizons without losing the roots.<\/p>\n<p>With Camar\u00f3n he left memorable recordings, especially in fandangos and cantes libres where his accompaniment shows an absolute mastery of the air without losing harmonic firmness. His knowledge of cante was deep and practical, tablao and madrugada. <\/p>\n<p>In the buler\u00edas por sole\u00e1, his way of resolving por medio is a school. In the natural fandangos, his playing is an example of how to sustain without interfering. In the sole\u00e1, the silence appears measured, placed with intention. Cepero does not accompany &#8220;por detr\u00e1s&#8221;; he builds the space where the cante breathes, like a tailor who adjusts each measure to the voice in front of him, in the wake of Caracol and Mairena.   <\/p>\n<p>In the recording field, he participated in emblematic works such as the debut of El Turronero, Y primero el comp\u00e1s (1970), together with Antonio Arenas, collaborating in their recordings until 1984 and sharing the studio on numerous occasions with Enrique de Melchor. His presence in those records was not ornamental: it was structural.<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-279vjf7-550963116117eb0e8fb87f8c2a4883c8\">\n#top .hr.hr-invisible.av-279vjf7-550963116117eb0e8fb87f8c2a4883c8{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-279vjf7-550963116117eb0e8fb87f8c2a4883c8 hr-invisible  avia-builder-el-26  el_after_av_textblock  el_before_av_one_full '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-356x0m-b09efe67bc22b1298e4b295ab309031f av_one_full  avia-builder-el-27  el_after_av_hr  el_before_av_textblock  first flex_column_div  '     ><section  class='av_textblock_section av-9qbsnn-5e8d4e2efca30f1573f1de3b874e3f51 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Prolific composer and producer<\/h2>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-17q037p-ce39845a3e7c769ba16eaa39b090b2cc\">\n#top .hr.hr-invisible.av-17q037p-ce39845a3e7c769ba16eaa39b090b2cc{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-17q037p-ce39845a3e7c769ba16eaa39b090b2cc hr-invisible  avia-builder-el-29  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-n79ft1-3bb7d0dc9531cb6ae82be1409d58d9c9\">\n.avia-image-container.av-n79ft1-3bb7d0dc9531cb6ae82be1409d58d9c9 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-n79ft1-3bb7d0dc9531cb6ae82be1409d58d9c9 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-n79ft1-3bb7d0dc9531cb6ae82be1409d58d9c9 av-styling- avia-align-center  avia-builder-el-30  el_after_av_hr  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-19765 avia-img-lazy-loading-not-19765 avia_image ' src=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-compositor.jpg\" alt='' title='paco cepero compositor'  height=\"390\" width=\"703\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-compositor.jpg 703w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-compositor-300x166.jpg 300w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/paco-cepero-compositor-100x55.jpg 100w\" sizes=\"(max-width: 703px) 100vw, 703px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm3gakk6-5500e3e216c2d6e437a4aea217bf8d10\">\n#top .hr.hr-invisible.av-mm3gakk6-5500e3e216c2d6e437a4aea217bf8d10{\nheight:15px;\n}\n<\/style>\n<div  class='hr av-mm3gakk6-5500e3e216c2d6e437a4aea217bf8d10 hr-invisible  avia-builder-el-31  el_after_av_image  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<section  class='av_textblock_section av-1flr777-8891f2e4359b7935c56c6c6ac054d296 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h5 style=\"text-align: center;\"><a href=\"https:\/\/www.youtube.com\/watch?v=zM0IHTmZbHo\" target=\"_blank\" rel=\"noopener\">Paco Cepero in Sobremesa Flamenca<\/a><\/h5>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-18qwypx-6b009d753e7fd39265b5a67e601b9d89\">\n#top .hr.hr-invisible.av-18qwypx-6b009d753e7fd39265b5a67e601b9d89{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-18qwypx-6b009d753e7fd39265b5a67e601b9d89 hr-invisible  avia-builder-el-33  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-mm3bw9wt-601a94d8accee4a57685658c48057090 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Paco Cepero has composed more than 800 works between songs and flamenco pieces. He has been a music producer and arranger in a key stage of the Spanish recording industry. He worked with Roc\u00edo Jurado, Julio Iglesias, Manolo Escobar, Jos\u00e9 Jos\u00e9, Lolita, Rosa Morena, Isabel Pantoja, Mar\u00eda Jim\u00e9nez, Los Chichos (full album <em>Porque nos queremos<\/em>, 1987) and Samuel Serrano (2017, and a bullfighting buler\u00eda in 2025 dedicated to bullfighters such as Manzanares, Curro, Morante, de Paula and Borja Jim\u00e9nez).  <\/p>\n<p>In 1982 he composed &#8220;\u00c9l&#8221;, performed by Luc\u00eda in Eurovision, representing Spain and coming in 10th place. He has also composed marches for Jerez brotherhoods such as La Yedra Coronada, La Amargura and Se\u00f1or Flagelado, works for the Royal Andalusian School of Equestrian Art, and a piece for Pope Francis in 2015 during a tribute to the gypsies. <\/p>\n<p>His catalog is not marginal within flamenco: it is transversal. He was a fundamental collaborator in the musical development of Chiquetete (debut in 1977, with songs like &#8220;Gitana canastera&#8221;) and participated in key albums of the seventies. <\/p>\n<p>Compositions such as the tangos aflamencados for La Marelu or melodies that, as he himself says, &#8220;come out unintentionally&#8221;, reflect his creative intuition. &#8220;The melody comes out unintentionally&#8221;, he says, feeling the guitar to &#8220;see how my hands are&#8221;. <\/p>\n<p>Cepero has always defended the culture of work: &#8220;Once you can win the lottery, but so many times and in all styles&#8230;&#8221;. At one point he left the guitar to focus on more profitable compositions, but he returned with hits like <em>Agua Marina<\/em>, reaffirming his link with guitar playing. <\/p>\n<p>His solo debut comes with <em>Amuleto<\/em> (1977). In a context dominated by the technical revolution of the modern guitar, Cepero opted to maintain a personal line based on melody and structural clarity. <\/p>\n<p>Over the decades he published <em>De pura cepa (<\/em> 2000, with &#8220;Agua Marina&#8221; -flamenca rumba- and &#8220;Noche Andalus\u00ed&#8221;), <em>Coraz\u00f3n y bord\u00f3n<\/em> (2004), <em>Abolengo<\/em> (2007), <em>Suite Gades<\/em> (2012, a work commemorating the Bicentennial of the Constitution of Cadiz), <em>Sue\u00f1o Latino<\/em> (2017, in collaboration with Paco Morillo and with incursions into Latin sonorities), <em>Vivencias <\/em>(2021, with &#8220;Hechizo Andaluz&#8221;, &#8220;A mi aire&#8221; and &#8220;Sinfon\u00eda Andaluza&#8221;) and <em>Made in Cepero<\/em> (2023, with pieces such as &#8220;Estrella de Mar&#8221; and &#8220;Avellaneda&#8221;).<\/p>\n<p>In his most recent works there is no nostalgia: there is synthesis. The guitar sounds more naked, more direct. It is the touch of someone who does not need to demonstrate, but to say.  <\/p>\n<p>In addition, he participated in family recordings such as <em>Grabaciones Discos Pizarra &#8211; A\u00f1o 1930<\/em> with Jos\u00e9 Cepero, a nod to his artistic lineage. His albums accumulate millions of listens on digital platforms, confirming the validity of his work.<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-rz0ztx-0d5949dc798cac9754554a6fc930b47d\">\n#top .hr.hr-invisible.av-rz0ztx-0d5949dc798cac9754554a6fc930b47d{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-rz0ztx-0d5949dc798cac9754554a6fc930b47d hr-invisible  avia-builder-el-35  el_after_av_textblock  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm3c27z8-3750c0abaa59f9e60801e8a628f13ba1\">\n.avia-image-container.av-mm3c27z8-3750c0abaa59f9e60801e8a628f13ba1 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mm3c27z8-3750c0abaa59f9e60801e8a628f13ba1 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mm3c27z8-3750c0abaa59f9e60801e8a628f13ba1 av-styling- avia-align-center  avia-builder-el-36  el_after_av_hr  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/expoflamenco.com\/paco-cepero-repasando-mi-vida\/\" class=\"avia_image\" target=\"_blank\" rel=\"noopener noreferrer\" aria-label=\"repasando\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-19767 avia-img-lazy-loading-not-19767 avia_image ' src=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/repasando.png\" alt='' title='repasando'  height=\"224\" width=\"413\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/repasando.png 413w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/repasando-300x163.png 300w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/repasando-100x54.png 100w\" sizes=\"(max-width: 413px) 100vw, 413px\" \/><\/a><\/div><\/div><\/div>\n<section  class='av_textblock_section av-mm3c2wel-562777422df237a3401d7e665adca9de '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\">Interview of the maestro at Expoflamenco<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2i36un-183c7bd6452c4891b4ddcfe90e6055da\">\n#top .hr.hr-invisible.av-2i36un-183c7bd6452c4891b4ddcfe90e6055da{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-2i36un-183c7bd6452c4891b4ddcfe90e6055da hr-invisible  avia-builder-el-38  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-mesctqrs-42049581df1d74b9dadf2f7d0ada062e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Acknowledgments<\/h2>\n<\/div><\/section>\n<section  class='av_textblock_section av-mescu9ni-8b5974d31fd9e0a6657c49de2ac61a59 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>He has received, among others, the National Prize of Jerez (1975) and the National Prize of C\u00f3rdoba (1977), as well as the Castillete de Oro de La Uni\u00f3n and the Yunque de Oro de Ceuta. He was also awarded the Melchor de Marchena Prize for Accompaniment and the Silver Cabal of the C\u00edrculo de Bellas Artes (1999). <\/p>\n<p>In 2003 he was awarded the Gold Medal for Merit in the Fine Arts, which was followed by the Gold Plaque of the Province of Cadiz (2006) and his appointment as an Academician of the Royal Academy San Dionisio (2012). He later received the Comp\u00e1s del Cante Award (2014), as well as recognitions such as Camar\u00f3n de Oro, Leyenda del Flamenco and Gaditano del A\u00f1o. <\/p>\n<p>In 2017 he was awarded the Medal of Andalusia, along with distinctions such as the Silver Yerbabuena and the Silver Palm in El Rubio. In 2018 he received the Medal of Merit for Work and in 2019 he was named Favorite Son of Jerez. <\/p>\n<p>More recently he has been distinguished with the Bord\u00f3n Honor\u00edfico del Festival del Cante de las Minas (2022), the Premio Andaluc\u00eda del Flamenco (2022), the Premio Paco Toronjo Leyendas del Flamenco (2025), the Premio Andaluc\u00eda Excelente en Trayectoria Musical (2025) and the Premio Cultural de la Fundaci\u00f3n C\u00e1diz CF (2025).<\/p>\n<p>These recognitions are not protocol: they consolidate his figure as a historical reference of the toque. As he himself has stated, &#8220;I have all the recognitions that an artist can have&#8221;, highlighting the Medal of Andalusia as a thorn in his side, finally resolved.<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-p9uy1z-703ba5952f3f73736981913b419a0b6c\">\n#top .hr.hr-invisible.av-p9uy1z-703ba5952f3f73736981913b419a0b6c{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-p9uy1z-703ba5952f3f73736981913b419a0b6c hr-invisible  avia-builder-el-41  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-mescuwan-5b8773231a8b712e739c36e69f6a5164 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Return to Jerez and current life<\/h2>\n<\/div><\/section>\n<section  class='av_textblock_section av-mescv70e-0cc44db5e6d6d16048fb9bae6af0ba59 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>After more than three decades in Madrid, he returns to his hometown. He does not do it as a retreat, but as a conscious return to the roots. He returns to Jerez with the serenity of someone who has toured international stages and decides to close the circle in the same neighborhood where it all began.  <\/p>\n<p>He continues to compose, perform and participate in cultural events, such as his concert at the Teatro de la Zarzuela in 2025, an event that he did not consider as a farewell, but as a natural continuity of his artistic concerns. In 2015 he performed before Pope Francis along with other gypsy artists, in an act loaded with symbolism within his international career. <\/p>\n<p>At eighty-three years of age, he maintains a constant activity, teaching flamenco guitarists and working on new projects, from incursions into Sephardic music to the elaboration of an adagio. He is not a figure frozen in homage, but a practicing musician. <\/p>\n<p>In recent interviews he has reflected frankly on the evolution of the flamenco guitar. He criticizes technique understood as exhibition and warns that speed, when it becomes an end in itself, can empty the guitar playing of its content. &#8220;The technique and speed of today I see it for the circus, prefabricated like AI&#8221;, he pointed out, although he recognizes that young people have &#8220;a great training, like never before&#8221;. His warning is not nostalgia, but a call not to lose the flamenco flavor.<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-tzuasm-ce881c54f73de49dfb34c12474a3ad97\">\n#top .hr.hr-invisible.av-tzuasm-ce881c54f73de49dfb34c12474a3ad97{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-tzuasm-ce881c54f73de49dfb34c12474a3ad97 hr-invisible  avia-builder-el-44  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-mb66wceq-b5e1a4d99eed48bd26514e1b9461b049 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2>Paco Cepero&#8217;s place in history<\/h2>\n<\/div><\/section>\n<section  class='av_textblock_section av-1a6ao85-c85fc083c5a6604e4cf5104e2a33c1d7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>If we situate the flamenco guitar of the 20th century as a map, Paco Cepero occupies a very defined territory. It is not that of radical rupture or expansive virtuosity understood as exhibition. His place is in the structural solidity of classical accompaniment elevated to the category of art.  <\/p>\n<p>His legacy is not measured by speed, but by balance. In his playing the comp\u00e1s sustains, the harmonization breathes within the tradition, the chord appears exactly when the cantaor marks it and the sonorous construction avoids excess. There is no superfluous artifice, there is intention.  <\/p>\n<p>For the serious student of flamenco guitar, his work constitutes a true school: a lesson in measurement, listening and respect. In times of constant exhibition, this teaching is more necessary than ever. <\/p>\n<p>His influence can be perceived in current generations who, while exploring new languages and scenarios, continue to find in his playing a model of firmness and coherence. Paco Cepero embodies a way of understanding flamenco where roots and intelligence are not opposed, but balanced. <\/p>\n<p>And I am not saying this from a theoretical point of view.<\/p>\n<p>One afternoon more than forty years ago, back in the eighties, I shared the stage with Paco Cepero at the Palacio de los Deportes in Barcelona, in a singing festival. I went with all the energy of youth, wanting to do everything, to play everything&#8230; and probably a little accelerated. <\/p>\n<p>At one point during the performance we coincided in the dressing room. It was something quick, without ceremony. He looked at me and said:  <\/p>\n<p>&#8220;Very good&#8230; but you have to play quieter, more seated.&#8221;<\/p>\n<p>Nothing more. No speeches or theories. <\/p>\n<p>I went back on stage and kept playing. But eventually I understood what he was telling me. It wasn&#8217;t about posture. It was about calm. Of rhythm. Of not running for the sake of showing off. Of letting the singing rule.      <\/p>\n<p>That comment, said quietly and without wanting to impress anyone, helped me much more than a lot of applause. Teachers don&#8217;t tell you what flatters you; they tell you what makes you grow. And even if it takes a while to catch on, you have to listen to them. They know what they&#8217;re talking about.   <\/p>\n<p>Thank you, maestro.<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ilsy5j-e98b506fb40612492d33a66b60802520\">\n#top .hr.hr-invisible.av-ilsy5j-e98b506fb40612492d33a66b60802520{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-ilsy5j-e98b506fb40612492d33a66b60802520 hr-invisible  avia-builder-el-47  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-mm55ro0z-5cc82c015ac35f330e379e227f72b279 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 style=\"text-align: center;\">Click on the image to listen to the Flashmencoteca by Paco Cepero<\/h2>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mm55ssv4-60f9b3668ca0a9a8d3613be339bd0e96\">\n.avia-image-container.av-mm55ssv4-60f9b3668ca0a9a8d3613be339bd0e96 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mm55ssv4-60f9b3668ca0a9a8d3613be339bd0e96 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mm55ssv4-60f9b3668ca0a9a8d3613be339bd0e96 av-styling- avia-align-center  avia-builder-el-49  el_after_av_textblock  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/rafaelcanizares.com\/en\/?p=19842\" class='avia_image'  target=\"_blank\"  rel=\"noopener noreferrer\" aria-label='flashmencoteca-paco-cepero'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-19848 avia-img-lazy-loading-not-19848 avia_image ' src=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-497x705.jpg\" alt='' title='flashmencoteca-paco-cepero'  height=\"705\" width=\"497\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-497x705.jpg 497w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-211x300.jpg 211w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-722x1024.jpg 722w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-768x1089.jpg 768w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-70x100.jpg 70w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-1083x1536.jpg 1083w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero-1057x1500.jpg 1057w, https:\/\/rafaelcanizares.com\/wp-content\/uploads\/2026\/02\/flashmencoteca-paco-cepero.jpg 1118w\" sizes=\"(max-width: 497px) 100vw, 497px\" \/><\/a><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-miqdol-cde017846418382cbd22205c9f0024e1\">\n#top .hr.hr-invisible.av-miqdol-cde017846418382cbd22205c9f0024e1{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-miqdol-cde017846418382cbd22205c9f0024e1 hr-invisible  avia-builder-el-50  el_after_av_image  el_before_av_comments_list '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='av-buildercomment av-2e7bum-ae01618596780b7f2f44b91567c3d468'><\/div>\n","protected":false},"excerpt":{"rendered":"<p>When it came to taking stock of his 60-year career, he said that &#8220;I wouldn&#8217;t take anything away. It has been worth everything to me,&#8221; even though the early days were not very pleasant.<\/p>\n","protected":false},"author":59,"featured_media":19755,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[207,220],"tags":[330,324,329,326,327],"class_list":["post-19750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all","category-the-great-masters","tag-escuchaenspotify","tag-flamencoteca","tag-guitarraflamenca","tag-herederosdeltoque","tag-toqueconalma"],"publishpress_future_action":{"enabled":false,"date":"2026-08-05 04:20:52","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/posts\/19750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/users\/59"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/comments?post=19750"}],"version-history":[{"count":5,"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/posts\/19750\/revisions"}],"predecessor-version":[{"id":19904,"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/posts\/19750\/revisions\/19904"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/media\/19755"}],"wp:attachment":[{"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/media?parent=19750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/categories?post=19750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelcanizares.com\/en\/wp-json\/wp\/v2\/tags?post=19750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}